The cone of corporate creepiness

Plums in cone 2
Zwetschgenpflaume in market cone

STALLHOLDERS AT THE weekly Lister Meile street market here in Hannover (Germany) sell fruit and vegetables in brown paper cones. At the last market, we picked up highly seasonal plums. As the photo shows, they are a type of damson.

We knew that Zwetschgenpflaume had just arrived on the market, because they featured on the specials board the night before at restaurant 11A Küche mit Garten (11A Kitchen with Garden). The name derives from its address, being in the square that translates as Kitchen Garden.

(Horror alert: creepiness coming).

My mobile phone has taken to opening with a YouTube suggestion, and when we returned from the market, it proposed a demonstration of how to use the plums.

Plum video 2
Renias Backwelt demonstrates how to use Zwetschgenpflaume

How did it know? I can think of three possibilities: that it was coincidental, that google tracked us at the market and the plums are in season, or that google had eavesdropped, and heard the word.

That was so creepy that, as soon as I showed Marion the video running, I turned it off. To be correct, I thought I turned it off, because it disappeared from my phone and started on a television in the next room. We’d last turned on the tv the previous evening, making our way through dvds of the wondrous 1982 series of Heimat.

plum-video-1.jpg
The finished product (taken from Renias Backwelt)

Adding to the horror, Mozilla had only just sent a blog item about how you can’t believe even baking videos any more, with a link to Sydney dessert-influencer Ann Reardon showing how so-called “content farms” are crueling the internet.

A “content farm”, such as So Yummy, creates low-grade “how to” videos to game the algorithms and drag in advertising dollars. That reduces the income of more serious posters, such as “Renias Backwelt” (Renia’s Baking World) with her plums, or Ann with “How to Cook That”. While I cannot imagine who would make Ann’s novelty dessert items, including a Prince Harry chocolate sculpture that took her three days to make, So Yummy has more than 100 million views a month with videos that merely look like cooking videos with their boring bits speeded up. As Ann demonstrates, So Yummy’s cooking instructions are way post-fact. The recipes she attempts don’t merely fail, they plainly would never work.

Incidentally, I have retained quotes around “content farms” as maligning farms; they are content production lines.

The monolith at the top of surveillance capitalism, Google owns YouTube and so much more, but does it really listen in through microphones in homes, cafes, offices and therapists’ rooms?

The next day, I received another Mozilla post:

“Hi Michael,

“If you have a voice assistant in your home or on your phone, have you ever been concerned that someone from the company could listen to your voice recordings?

“Recent news coverage confirms that suspicion.”

According to the quoted sources (Mozilla Foundation, “What can you trust on the internet?“), eavesdropping is now banned in the EU, but I still worry.

Returning to humour might distract from the creepiness. The secret agent comedy series Get Smart had a device called the “cone of silence” – those inside the bubble couldn’t hear; those outside could.

Or I might also cheer us up by turning to a second highly seasonal German phenomenon on the streets the past day or two: the two-century-old tradition of the Schultüte (school cone). A Schultüte is sometimes also called a Zuckertüte (sugar cone), because it is a large cone, almost as big as a small child, that contains sweets, toys and school items.

School cone

The cone marks an important rite of passage – a child’s first day at school. Parents have made or purchased a cone, filled it with the items, and hung it on a tree at the school. The child carries it home to open at a family party.

We saw children carrying them home yesterday, and I snapped an illustration of one, in a line-up of first-day-of-school children’s books, each showing cones, in the window of the nearby library.

 

I’m with the cow cockies on daylight saving

See original imageTonight, Paris switches off daylight saving, and I’m again confused about turning clocks back/forward. Do I or don’t I get an extra hour’s sleep?

You wouldn’t think my first degree was in mathematics, and that my mental arithmetic is faster than average.

What would “back” mean, just for a start? Where it was an hour a go? To a lower number?

It might be a defect in my education, because we didn’t have to learn such things when I went to school. Nevertheless, I’ve mainly blamed a mental block, until now.

Given that my attempted biannual (not “biennial”, don’t ask!) calculations are more likely to be wrong than right, it must a problem with daylight saving.

Confronted with the confusion for a third time this year, I’ve decided that the system is just one step too alienated – as the cockies complain. Let me explain why the cows get confused.

Noon is meant to be when the sun is highest, and midnight 12 hours later. (While I’m at it: noon is 12 am, and midnight 12 pm or, if you like, 00 am – do the counting!)

And no-one can shift when the sun is highest, without difficulty. Nevertheless, daylight savers pretend they can, wrecking our daily lives.

All that mental and bodily confusion, and for what? Something about an extra hour’s sunlight. Really?

If people really wanted more light to run around in after work, then the sensible thing would be to shift when they work. Instead of knocking off at 5 pm, stop at 4.

And if they wanted sunnier breakfasts or dinners, then likewise, shift them an hour later/earlier.

Postscript: I even confused my laptop – insisted I needed an extra two hours’ sleep.

Happy Christmas in July!

WHY DOES the Australian hospitality industry dislocate Christmas by seven months (rather than six)?

My theory is that they borrowed the idea from the northern hemisphere, where Christmas seems merely silly in hot weather.

Although previously not unknown, the concept was popularised in late 1940 by a light-hearted Hollywood movie, Christmas in July. The main-title shows the letters of “CHRISTMAS” topped in snow, and “JULY” in flames.

So, it’s merely anachronistic fun, available to greeting card and other commercial interests.

The southern hemisphere shifting the seasons six months gets to the core of our being.

Plum pudding “at 100 degrees in the shade” is a recognised absurdity. But a summer Christmas upsets not only the foods. The seasonal mood is all out of joint.

I have already complained about the Australian Christmas as doubly stressful – enforcing happy family gatherings amid obligatory summer fun.

Christmas is actually meant to bring the New Year promise that life might be a downer now, but it will soon re-awaken – the snow melt, and green shoots appear.

The familiar symbolism offers a glimmer of hope. Candles pierce the gloom. Yule-logs promise warmth. Fir trees stand out against the snow. Red baubles provide colour. Even family gatherings might lend some relief.

In An Alphabet for Gourmets (1949), M.F.K. Fisher observed under “F is for family” that “deliberately assembled relatives can be one of the dullest, if not most dangerous, gatherings in the world”. She saw no reason why “a given set of ill-assorted people, for no other reason than because it is Christmas, will be joyful to be reunited and to break bread together”.

Yet even she tried her family best at Christmas.

The depths of winter are so gloomy that the number of suicides might be expected to rise. It is the reverse, however. Records from various times and places show the highest suicide rate in late spring and early summer.

In Le Suicide in 1897, sociologist Emile Durkheim explained that longer sunlight allowed more social activity. As well as the days getting longer, activity intensified:

For the countryside, the Winter is a time of rest approaching stagnation. All life seems to stop…. In Spring, however, everything begins to awake; activity is resumed, relations spring up, interchanges increase …

The cities exhibited the same seasonal variation, although the worst of winter was attenuated by the bright lights. In summer, social activity, including suicide, “has more space to operate”. People rub up against one another more, sometimes abrasively, so that violent assaults also increase. And Durkheim concluded

… it is the density of human interactions, and not the environment that caused higher incidence of suicide in Spring or Summer

Depressed people can feel even further out of synch amid the social density and sunnier mood. They can be cast as misfits, not wanting to play beach cricket.

A genuinely wintry Christmas means everyone fears the worst, and might be pleasantly surprised. The darkness gives permission to cheering up.

COLUMNIST Annabel Crabb wrote yesterday about politics here and abroad being like a bad dream. Having called an unusual, winter election, Malcolm Turnbull has only snuck back as Prime Minister, along with racist One Nation. Nonetheless, we in Australia are probably not as dispirited as those in the north, whose summer shines bright with Brexit and Trump.

Christmasinjulypost.jpg

We can take heart that Preston Sturges’ “cunning and carefree” comedy, Christmas in July, was released, in time for winter, just after Franklin D. Roosevelt had easily won a third Presidential term.

New York Times movie critic Bosley Crowther advised:

As a post-election jog to national sanity, we recommend Christmas in July.